Lost Words: Concert In Review
Is it true that in most cases the music inspires the text, or the text inspires the music?
In 99% of cases, the text inspires the music, not the other way around.
I am happy to report that the music compositions in The Lost Words was conceived with the text in mind. Actually, The Lost words is a unique work in this regard. Robert MacFarlane, the well-known British poet, was inspired to write 30 acrostic poems after finding out that the most recent edition of the Junior Oxford Dictionary had taken out words such as Ivy, Dandelion and Willow. These words were replaced with blogspot and hashtag. MacFarlane feared that children were losing touch with the natural world. He wrote these poems to keep these words alive in the mouths of children.
Back here in Canada we have choral director Morna Edmondson to thank for this large 40 minute choral work. She is in the last year of being the Artistic Director of Elektra in Vancouver and has recently received the Order of Canada. Ms. Edmondson commissioned 10 different living Canadian composers to write words to MacFarlane’s texts. In my opinion, these pieces share a snapshot of what choral music sounds like today. They are dissonant, rhythmic, colourful, simple- yet complex and full of texture.
Taking a work with colourful, imaginative text and interpreting its music is one of my life’s deepest passions. It was incredibly thrilling to take Cantala through the many demanding moments of creativity with this work and we were thrilled to present what we had, thus far, unearthed during our past December 7th concert at Forest Hill United in Toronto.
We are pleased to present many of these Canadian works on our NYC Carnegie debut in April 2025.
We will present more of the work in years to come.